





|
|
The Farthest Place
(2001)
for flute, violin, 'cello, vibraphone,
marimba.
|
11:00
|
|
The Immeasurable Space of Tones
(1998-2001)
for violin, doublebass, vibraphone (or electronic mallet instrument),
marimba (or electronic mallet instrument), piano, sustaining keyboard.
|
43:00
|
|
Among Red Mountains
(2001)
for solo piano.
|
10:30
|
|
The Light That Fills the World (Chamber Version)
(1999)
for amplified violin, contrabassoon or doublebass,
vibraphone, marimba, sustaining keyboard.
|
13:00
|
|
|
|
|
Commissioned by the Paul Dresher Electric
Chamber Ensemble (San Francisco).
|
|
|
In a Treeless Place, Only Snow
(1999)
for celesta, harp (or piano), 2 vibraphones, string quartet.
|
18:00
|
|
|
|
|
Commissioned by the Third Angle New Music Ensemble
(Portland, OR).
|
|
|
|
|
|
"Adams' music made the unseen visible, like
breath exhaled into frosty air, a bodilessness pulsing
with life. His rising and falling themes, traded among
the strings, built a prayerful melodic arc that stretched
out to infinity yet spoke directly to the individual
soul."
|
|
|
-- Grant Menzies, The Oregonian (Portland)
|
|
|
Time Undisturbed (1999)
for piccolo, flute, and alto flute (or three shakuhachis),
three harps (three kotos, or celesta, piano and harp), 'cello and
sustaining keyboard (or sho).
|
19:00
|
|
|
|
|
Commissioned by the Kanagawa Cultural Council
for the Monophony Consort (Tokyo).
|
|
|
|
|
|
Make Prayers to the Raven (1996/98)
fl, vln, hp (or pno), vlc, percussion.
|
16:30
|
|
Five Athabascan
Dances (1992/96)
for harp and percussion
|
16:00
|
|
Five Yup'ik
Dances (1991-94)
for solo harp
|
12:00
|
|
Strange Birds
Passing
(in memory of Tadashi Miyashita) (1983)
for flute ensemble (2/3/2/1)
|
6:30
|
|
songbirdsongs
(1974-80)
for 2 piccolos and 3 percussion
|
ca. 40:00
|
|
|
|
|
Recorded on Centaur (CRC 2273) and Opus One (LP#66).
|
|
|
|
|
|
"...one of the most sensitive reworkings of
birdsong since Messiaen's."
|
|
|
- Ear Magazine
|
|
|
|
|
|
" ...exquisitely gentle evocations of
wilderness sounds... songbirdsongs transformed the
auditorium into the aural equivalent of some
enchanted forest...The effect was musical
magic."
|
|
|
- News and Courier/Evening Post (Charleston, S.C.)
|
|
|
|
|
|
"un monde d'enchantement sonore, vibrant de
mystere et de poesie."
|
|
|
- Le Devoir (Montreal)
|
|
Back
|
All works available from:

P.O. Box 81382
Fairbanks, AK 99708
907.455.6235
|
|
|
John Luther Adams's email:
jla@alaska.net
Bio
|
New
|
Recordings
|
Interview
|
Writings
Works
|
Calendar
|
Web Site Credits
|
Home
|